Eric Matwe’s MailleTec Industries Is The Premier Manufacturer Of Welded Metal Mesh

In this edition of Blue Buddha’s Meet the Artist series, we’re heading up to Canada to get to know Eric Matwe of Swift Current, Saskatchewan.

If you’re newer to the world of maille, you might not recognize Eric’s name, or even his online handle, lorenzo. But you probably know some of the weaves he’s created, and you’ve almost certainly seen at least one movie or TV show with his work. (The Hobbit or Game of Thrones fans, anyone?)

Eric’s company, MailleTec Industries, has been making welded maille for customers all over the world since 2010. Their maille is a flexible, beautiful and highly protective fabric and is used for industrial guarding, movie costumes, protective equipment, architectural installations, and more.

Let’s find out more about Eric and his company! (Be prepared to see some BIG sheets of mesh in this post!)

You’ve been doing this a long time. Exactly how and when did you get started with this craft?

I got started in the maille industry when I was 21, I had just dropped out of University and was trying to make enough money to pay for another semester towards a BFA. The best paying job I could find at the time was as a meat cutter at a meat packing plant in Moose Jaw, Saskatchewan.

The butchers gloves that were issued to employees there were in disrepair and it was common for us to end up with infected cuts from the knife tip going through a hole in the gloves. Well, I took my own glove home and fixed it up with some brazed stainless rings, a couple of the other guys at work noticed my glove was fixed and asked if I could do theirs too. After that word got around and pretty soon the company had me on contract fixing all the gloves in the plant.

The money was good enough that I decided not to bother going back to University, I bought a house in town and started working on some side projects with The Ring Lord in my spare time. I did that for the next 4 years until the plant finally shut down and we were all laid off. At that point the girl I was dating moved to Saskatoon to finish her university degree and TRL had been offering me a job for the last couple of years so I just sold my house and moved there to work at TRL.

I’ll always be proud of the things we accomplished at TRL. We worked very hard over the years to improve the quality and variety of products available to the community but in the end I just wasn’t a good fit there. I resigned from my position at TRL with no real clear plans. Over the next year we still collaborated on projects and I would come in and do contract work when they needed me.

At the end of that time they approached me with an offer to sell the machine made maille portion of the business. I had been the one who operated and repaired the machinery and they weren’t able to find anyone else who could do it. I accepted the offer but I knew I couldn’t manage it alone so I reached out to two other former TRL employees, I brought them and my wife on as partners and we incorporated as MailleTec Industries.

How has the industry as a whole changed since you started making maille??

Well, on the small business side it’s grown and diversified exponentially. When I started there was almost nothing; if I remember correctly, only Lord Randolph and Master Knuut were operating full time businesses. TRL didn’t exist yet, and options for rings and wire were limited and expensive. The craft industry that exists today is, I would say, largely built upon the work we did at TRL developing and improving products for all of you creative people to use in your work.

On the other hand, the large industrial concerns such as Whiting & Davis have declined. Corporate mergers and bankruptcies have resulted in almost all of those companies moving their remaining operations overseas. Of course there’s still a market for safety equipment but instead of a few dozen companies in that market there’s now two or three.

One of the first pieces of yours that I remember drooling over when I was starting my own maille journey in the early 2000s was your scalemaille vest.  Can you talk a little bit about how that came together? I feel like you had to be one of the first persons (if not the first?) to make such a piece?

Sure. That scalemaille vest was the first of its kind. I designed the scales and the method of attaching them in 2001. I was inspired after hearing about the difficulties that Weta Workshop had in making scale armor for the LotR movies.

All of the options available at that time were bulky, inflexible, heavy, expensive and most of them were ugly to boot. My goal was to develop a system of scale armor that was simple, inexpensive, light, flexible and above all beautiful. I went through half a dozen linking systems before finally choosing the one we use now. It was the simplest and could be adapted to commercially available parts without too much expense. Aesthetically I chose the shape of the scales to mimic the look of a rattlesnake.

After that first prototype vest TRL assisted with funding that allowed us to order custom tooling and have the scales mass manufactured instead of punching them by hand. Eventually they took over manufacturing completely and have invested a lot financially into new scale product lines while I handled the bulk of the R&D for them.

I think two of the most significant weaves you introduced to the world are Captive Inverted Round and Trinity. Can we take a minute to talk about the Trinity shirt!?!? It’s amazing. What was the motivation to create such a masterpiece? Do you have the stats for it (# of rings, and/or anything else you’d like to share?)

Sure, so my motivation was to make the best shirt I possibly could at that time. I wanted something light, strong, flexible and pretty. I already had the rings woven into a E4-1 shirt, and it was strong but the weave was too tight, it was stiff, it was ugly and just didn’t fit right. The Trinity weave came to me in a fever dream one day and I just knew I had to convert it. The front, back and shoulders fell into place as if they were meant to be but the side panels took some work to get right. They’re J4-1 hung at a 45 degree angle for maximum stretch, which is how the shirt is so form fitting in a tight weave.

The rings are #10L mil. spec. lock washers and there are about 20,000 of them. The vest weighs just over 10 lbs. I wore it to a bar for Halloween ’97, if I remember correctly, and some guy straight up stabbed me in the back. So it probably saved my life, even though I’m reasonably sure he only stabbed me because I was wearing it.

What are some your favorite projects that you’ve worked on, and what were the challenges of each?

Well, besides what we’ve previously discussed, I really enjoyed making scale armor for The Hobbit movies. It was generally awesome to spend two weeks in New Zealand at Weta Workshop and meet some of the very talented people involved. More than that though it felt like coming full circle from my inspiration (LotR) to make better scale armor in the first place. There were a lot of challenges, design revisions mostly, and the pieces that made it into the final cut were nowhere near as epic as they were when we originally made them. They didn’t even get much screen time so it was a bit of a disappointment.

I’m very excited to have been a part of the NASA Mars Insight lander mission, I consider that to be probably the most significant project that I’ll ever work on. Having something that I invented and helped make with my own hands being flown to Mars is so surreal. It was an extremely demanding project, I had to modify our machinery to work with the Ti alloys. Getting the welds down to 0.01% errors with .5mm reactive metal wire was difficult to say the least. Besides that there was a lot of weaving to be done with the scale pieces and we were up against a tight deadline, everyone in the shop pitched in to get it done. I really hope that the experiment is successful and we will have helped advance human knowledge in some small way.

I also really value having worked for so many years with Neptunic, designing and manufacturing their sharksuits. I’ve spent months of my own time trying to work out better designs for the suits, getting feedback and slowly improving them. All things considered, that’s probably made it MailleTec’s least profitable product line but we’ll keep improving them as much and for as long as we can. It’s worth it to know that we’re helping to save lives, especially since most of those lives are working to protect the ocean ecosystems.

That’s really incredible! Anything else on the horizon that you’re excited to be working on?

Well, amazingly, the original patent for our maille making machinery was filed more than 100 years ago (!), in 1911 to be precise. The machines have been updated sort of piecemeal over the last century but have stayed more or less the same. I can’t get into too many details but we’ve been working on some new technologies to really bring maille back into its own in the 21st century.

Ooo, that *is* exciting! I had no idea the maille-making patent went back so far! I wish you much success and can’t wait to see what your company comes up with!

One of our blog readers would like to know: Have you ever hidden a secret message in any of your projects?

Yes.

Ha! That’s great. I’d ask what it was, but then I guess it wouldn’t be secret anymore. 😉

What is the best part of running your business? What was the most challenging part?

The best part is being able to work with my wife and my good friends as business partners. The most challenging part is the toll that working too hard has taken on my health.

Care to share a current goal?

I need to lose 40 lbs

What is one tool that you cannot live without?

Hmm… I make most of my tools, so I can usually just make more. I do have a ballpeen hammer that’s been passed down to me from my grandfather, I’d say that would be my most valued tool. It’s the only one I can’t replace anyways.

Sara Sherlock Bastin, Chainmaille Weave Inventor Extraordinaire, Has Been Making Maille For 30+ Years

In this edition of Blue Buddha’s Meet the Artist series, we’re reaching out to the other side of the pond to chat with Sara Sherlock Bastin of Somerset, UK.

If you’re a mailler and Sara’s name isn’t familiar, you almost certainly will recognize her work. Known online as Corvus or Redcrow, Sara has been making chainmaille since 1988. She’s made 350+ weaves, of which 60+ are her own invention. She has thousands of images in her Redcrow flicker albums, so after you’ve read this post, head over there to check out all the amazing designs!

And now, let’s get to know Sara!

You’ve been doing this a long time! Exactly how and when did you get started with this craft?

I was talked into joining a re-enactment society just after my 18th birthday. It was an 8th century re-enactment group so mainly consisted of Celts, Vikings and Saxons. Somehow I became a Viking and felt pretty naked compared to the guys in maille, so I talked one of them into teaching me basic Euro 4in1. He did and there was no stopping me, my first project was a shirt with sleeves for battle. In 8 days, I had a vest and several blisters. This was galvanised steel 2mm fencing wire wound on an old metal rod I found in my mum’s garden.

I soon realised I could make this stuff on a smaller and more wearable for everyday scale.

Wow, 2 mm (14 SWG/12 AWG) galvanized steel is NO joke. I can only imagine those blisters!

How did you turn your chainmaille into a business?

Not sure how it became a business but might have had something to do with more and more commissions and my ex husband’s accountant mentioning issues with tax. So thought I’d better make it all official.

How would you describe your style and what made you different from other artists?

What is a style? I’m not sure. I always liked figuring things out for myself, so I supposed my style was trial and error. I still think it’s the best way to work as so many new weaves and variations on weaves are discovered this way.

As far as I know I was the only person in the UK making maille for something other than armour, at that time. That made me different from other artists.

I did shows, usually one or two a month and to everyone doing shows who feel disheartened, just keep going. Shows vary so much. I had for years a place in a local art gallery selling my things but again this can be disheartening as they add on so much commission.

Commission orders were what I did most. Nearly all my big sales were custom made things.

How has the industry as a whole changed since you started making maille?

The biggest change to me is the lack of sharing in the maille community. Ten years ago everyone shared their weaves, variations and tutorials freely, well most did. And we understood those things that weren’t shared were fair enough. I think now a lot of newbies are buying tuts they don’t really need to, either because their skill is enough or there’s another tut free somewhere.

Also there’s so much more supplies available now. You guys in the US didn’t really have this problem so much but in the UK the only suppliers were armourers.

You’ve come up with many, many weaves. Can you talk a bit about your creation/design process?

I used to maille in the evenings but I never really had a set time and I never really had to get into the right mindset. It was more a case of picking up the pliers and playing with rings.

As I said above most weaves were created by accident, usually while trying to make something else. Other times it’s a case of ‘I wonder what will happen if I do this?’

Ah, yes!!! That is my approach as well! It’s fun, isn’t it? What are some your favorite designs that you’ve come up with?

I love Aura most as it’s named after my daughter. And Persephone is pretty.  Honey Bee I love too.

I’m proud of JeanHP3Sheet5IR: it has a tech name, It’s a structural weave and something I never thought I would be able to make, let alone invent a new one.

On the flip side, is there a design that you just couldn’t get to work the way you envisioned?

There have been many I struggled with, especially Half Persian 3-in-1 joined. I struggled with this for several days, I eventually did it, but not before suffering a severe headache which actually is now thought to be the start of my health issues. I did join the weave eventually and then I wrote a tut on how to join Half-Persian 3-in-1 on M.A.I.L. The health issues were eventually diagnosed as MS, which is why I am now retired.

I’m sorry to hear that – chronic illnesses can be so very frustrating and challenging. I’m glad that even though you’re retired, you’re still a part of the community!

You’ve created so many weaves. Which are the ones you think most people don’t realize YOU were the original designer?

There are a lot of people who think Aura is someone else’s. As for the other weaves I doubt anyone knows they are mine. Nearly everyone on M.A.I.L. thought I was a dude for years 😁

*whistles innocently* I’m sure I was one of those people. (Though, to be fair, back in the day, I think the vast majority of the people on M.A.I.L. were dudes, heh…)

Do you have any go-to jewelry pieces that you’re nearly always wearing? If so, what are they?

Sterling Jens Pind Linkage bracelet, Aura necklace, Euro 4-in-1 ring

Your profile indicates you’re a retired maille professional.  So, tell me, are you ACTUALLY retired from maille, or do you still pick up your pliers and create pieces to sell? And what was it like deciding to retire from a creative business?

I do still make maille, just not everyday and not for hours at a time, my hands just can’t take it. It was horrible to give my business. It wasn’t just my living, it was my passion too but I’ve learned that chornic illnesses make you accept things you thought maybe you couldn’t. Plus I had so much going on in my personal life, I just couldn’t cope with any more.

I don’t sell unless it’s an exceptional circumstance but I still maille for myself and for presents.

Any other accomplishments you’d like to mention?

I’m proud to have taught in a jewellery university in Cornwall.

What was the best part of running your business? What was the most challenging part?

Best part was providing for myself and my children. Most challenging part was probably trying to keep it going in the slow times. And what to do about design stealers, don’t be one of those.

If you could go back and tell yourself one thing before starting your business, what would it be?

Don’t rely on anyone else for anything.

Care to share a current goal?

To stay alive, lol! Seriously though, I just want to be here and do the things that make me happy as long as possible.

Hear, hear!

What is one tool that you cannot live without?

Pliers that were modified by ZiLi.

I’m so used to your online names Corvus and Redcrow, and I’m wondering if there’s any significance to them?

Corvus and Redcrow originally came from.just liking crows but in 2011-2012 a crow was part of my family. Jack lived with us for 18 months and then went back to the wild. He fledged too soon and couldn’t fly, so needed teaching. I had the business name Corvus before him but felt like destiny. 😄

Disclosure: Some of the links to products below are affiliate links, meaning, at no cost to you, I may earn a commission if you click through and make a purchase. It helps me create content like this for you, and I thank you for your support.

Meet Steampunk Garage’s Jenifer Lauren Martinez, Whose Work Inspires Crafters Across The World

This month, Blue Buddha Boutique is sitting down to chat with Jenifer Martinez of Kissimmee, FL.

A longtime contributor to the chainmaille community, Jenifer is best known as the face of Steampunk Garage. She has a rigorous show schedule, vending at dozens of events each year, while also maintaining robust jewelry and supplies sales online. Over the past year, she joined forces with another mailler to coordinate assembly of world-wide effort to build a massive chainmaille quilt.

Enjoy getting to know Jenifer in this edition of Blue Buddha’s Meet the Artist series:

You’ve been doing this a long time! How did you get started making maille, and how did it turn into a business?

My sister came home from college with a chainmaille bra. I was in high school so it was literally the coolest thing I had ever seen. She learned how to do it by attending a few meetings of the SCA at the MIT campus. I wore it a bunch of times and it left grey all over my skin (obviously bright aluminum) and I didn’t care because it was THE COOLEST THING EVER! My dad took me to Home Depot, we bought galvanized fencing wire, and he showed me how to use the lathe in the garage. I spent ages out there winding coils on some old knitting needles I found in the house. Then the hours of pinch cutting by hand, and weaving during Chemistry class with whatever old nasty rusted Craftsman pliers my dad had in the garage. Made myself a tank top (which was way painfully heavy to wear and eventually rusted to death) and half a skirt before I lost interest in maille.  

I picked it back up after college when I took a stick-fighting class. The instructor was trying to get us to buy arm guards, and I was like “Hey… I can make my OWN arm guards.” So I sat around after class weaving myself some chainmaille bracers. One of the instructors saw me, and asked if I could make him a wallet chain. I only knew how to make Euro 4-in-1 and 6-in-1, so I refused. But I loaned him some supplies and told him he could do it if he figured out how. He learned to make Byzantine, decided it was “too girly” for a guy’s wallet chain, and learned “inverted round.” He continued to learn weaves and in turn, taught them to me.  I sold t-shirts at festivals at the time and eventually gave him 2 feet of space to sell chainmaille if he would work the t-shirt booth for free. He agreed. When Game of Thrones Season 3 came out, the steampunk/chainmaille jewelry started outselling the t-shirts. So it expanded to 4 feet at the booth. Then 6. Then when I got pregnant I stopped making t-shirts (too many solvents involved). Chainmaille just… took over.  It was a very organic transition.

How has your business evolved over the years?

It really was totally recycled hardware and jewelry at first. The chainmaille mixing started when we got juried into a show and they were like “Oh… you can’t just hang keys on chains. You have to add some of your own modifications to it, or you can’t sell them.” So we started adding chainmaille baubles to every key.

Where *do* you find such all those awesome keys, gears, etc to incorporate into your chainmaille?

Honestly? I love the flea markets. The dirtier the better. And I have a couple friends in Germany who scavenge old keys for me, so I’m never short on those. But I literally bought a “box of broken jewelry” on eBay like 10 years ago and still haven’t reached the bottom. There is so much good stuff in there! I can’t believe the things people throw away. They just need the right person to give them a new life.

What’s it like maintaining such an intense show schedule?

You have to plan really far ahead. Not just for the shows to get the early bird rates, but also for your supplies. What am I going to run out of, how long does it take to ship, add on a day to clean or sort those things… when does the yearly “titanium scale drought” at TRL start? Did I remember to stock up before then? It’s hard juggling these things and then making my weekly schedule insanely strict. I only have 4-5 days until the next show. Do I unload my van? That’s 20 minutes to unload and 30 minutes to reload it later in the week. Will that be wasted time? Can I just work around my tent all week? Do I need to take the baby seat out? How many post office runs will I be able to do? Stuff like that. I almost always spend my physical time AT events working on online orders when I’m not helping customers. And I spend the 7am-9am hours (before the kids wake up) making booth inventory.

How did you get into selling supplies as well as finished jewelry?

We studied other chainmaillers. EVERYONE wanted to know how to make a Stan Star 6. So we saw another high-demand design get released, got chummy with the designer, and tracked their sales of it via Etsy:
How many kit sales did they get in the first 3 months?
How many finished items of that design would they need to sell to match that income?
Is it easy to replicate en-masse?
Will the market be flooded with this design now?
How many other people were posting the finished design on Etsy in the following months?
Were those people getting sales?
Were they undercutting the original designer?

The numbers made the decision for us. We decided to release the design, and have basically stacked on other items to keep that store full. The nice thing about supplies, is every time you release a new item, people buy a few of the old ones too. So the sales are cumulative in the long run.

As a side note: The turnover rate for people who make maille is insane. I personally believe that the way maille is commonly taught wrecks people’s joints within the first 5 years and that’s why 90% of them quit. I know my future is full of messed up joints, so I needed to set up a lateral business. The supplies fits nicely into that model.

Readers, I recommend checking out the video How Jen Weaves Maille to see her grip technique.

A few years ago, you moved from California to Florida. Was it worth it, both for family and business?

We’ve had a very rocky start here. The first year… well let’s just be glad it’s gone.  And having my partner, Stan, quit unexpectedly in 2018 was a huge blow to the business. A few months after he left, I heard “Stronger on Your Own” by Disturbed. It turned me back into my super-emo-high-school-self. I basically sing it at the top of my lungs in the car whenever I start to get upset about it.

There was a time where we considered moving back to stay with family while we recovered from financial hardship. But the comic con scene in Florida turned out to be COMPLETELY different from the California scene. People here are not afraid to get their geek on! And Steampunk Garage found a home on the festival circuit floating between art shows, biker shows, comic book shows, and tattoo shows.

Do you feel steam punk is turning a corner, heading for a new look? If not, why?

I have always put my own spin on the steampunk genre. I’ve always had a more heavy industrial look and not so flowery and Victorian. Yet, the medieval “look” is often considered ornate and flowery. Sometimes people call my jewelry “diesel punk” because of the use of hardware. Eh. I make what feels pretty. Everyone really liked this Steampunk Raincloud I recently posted. And it sold in less than a day, so that’s success to me!

How do you spend your time in the business? You know, like those internet memes like, “What my family thinks I do” “what my customers do” “What I actually do” …. what would be in that last square??

I’m sort of addicted to business.  I think about chainmaille almost constantly.  You could call it a passion, but it’s really more of an obsession.  I find it deeply and endlessly fascinating.  I check the Facebook groups constantly.  Before I check my email or text messages even.

What is your favorite part about what you do??

That moment when you get a ring in a tight spot and close it. I always make a victorious grunt and clench my fists. IN CELEBRATION. So damn satisfying. Then I have to show it to anyone close to me. Because SOMEONE HAS TO SEE IT.

How do you have the energy to keep this up after so many years?

Sometimes I tell people that I’m like one of those accountants who find numbers really interesting but if they talk about their job your eyes will glaze over.
It never gets boring!

…except byzantine.
Goddammit but I hate making byzantine.
Janelle makes all the byzantine.
I don’t even want to think about how many miles of friggin’ byzantine I’ve made over the years.
It bores me to DEATH.

What is your current goal?

Expanding my titanium offerings. Especially the supplies. I really think there’s a lack of high-quality unique titanium jewelry out there.

Are you going to do any more YouTube videos like the ones you did years ago? Those were humorous and full of good advice.

As much as I’d like to, they are a HUGE time suck. Took me like 4 full days to make one 3-4 minute video. So while I still have tons of advice I could fill them with, having two toddlers makes that pretty much impossible.

If you could go back and tell yourself one thing before starting your business, what would it be?

Your product doesn’t sell itself. Your display sells your product. And YOU are part of the display.

What are your favorite piece (or pieces) of chainmaille that you’ve created?

I’m so proud of my Scalemail Turbines. I know you see them everywhere, but they’re hypnotic and eye-catching, and if you do them right they’re REALLY hard to put together. So every time I finish one, I’m like “Oh yeahhhhh.” I love how you can take the scummiest scales (see:  the blotchy scales in the middle one) and if you use them right, you can make a stunning turbine out of them. And I LOVE how weightless the titanium ones are. People always look shocked when they pick them up. I really wish I could get tiny scales in titanium.

The “D20 Cage Medallion” is also something I’m particularly proud of. I have always hated the little chainmaille ring configuration people use to carry a D20 around. It doesn’t make the dice look cool and it doesn’t make the maille look cool. It’s strictly functional. So I messed with ring sizes and weaves until I got a nice round flexible cage that would firmly hold a D20 and also “pop” it out when you needed it. AND still wear it like a static pendant without the die shifting around! Once I settled on a design, I made like two dozen before I got it to work consistently. And another dozen after that before I could adequately explain how I made it to another person. I still find it challenging to put together and extremely satisfying when completed

Oh my gosh, I love this! Because, honestly, every good gamer should have a d20 at-the-ready at all times!

What is one tool that you cannot live without? 

My Xuron 90-degree pliers. Best things that ever happened to chainmaille. I wish the handles were like 2 inches longer tho….

I’ve heard that you don’t have any feeling in your left thumb. Is this true? How..?

We used to get milk delivered to the house in glass bottles. It was my job (as a first grader with chores) to bring the empties back out to the milk box. One night I was walking backwards yelling back at the house, and I tripped off the deck, and landed on the bottles I was carrying. I got a big chunk of glass lodged in my left wrist. It severed the nerve to my thumb and nicked part of the nerve to the index finger.  Never healed properly. So my left thumb and the side of my index finger are numb.  People are always “testing” me to see if it’s true. So there’s weird trivia about it like: If you poke at it, I know you’re doing it because I can feel the skin at the base of my thumb shifting around.  Fun, right?

Wow, now I’m even more impressed that you have a career working with your hands!

You’re one of the main folks spearheading the massive Chainmaille Quilt project. Could you tell us a little about that?

The idea of a Chainmaille Quilt has been around for ages.  When most people hear the word “chainmaille” they think 1) Knights in armor!  or 2) Dude, don’t send me chain letters. Let’s be real:  Hollywood pretty much only show 5 kinds of chainmaille: Euro 4-in-1 (or 6-in-1), Full Persian, Japanese 4-in-1, Half Persian 4-in-1, and Box and Byzantine.

The driving force behind the quilt is to show how diverse our medium has actually become. The idea is that maillers all over the world would each donate a square of different maille that would be stitched together into a big ol’ tapestry that showed how varied chainmaille actually is. Lis Guy from Linton Creations brought up the idea again in early 2018 and I thought “Dude.  Someone should really do that.  Dude.  Why don’t WE do that?” So I contacted Lis to find out if she was serious about getting the project going, and found she was ready and willing to commit wholeheartedly to it. I have a small cult following and when Lis and I announced our intention to give the idea a real go, we got an overwhelming number of signups. Over 100 people that first month!

Imagine my surprise when the first patch was on my doorstep in less than 2 weeks. Not only was it the first, but Tony Moeller’s photorealistic portrait of Tesla MADE IN CHAINMAILLE was a HUGE hit. He really set the tone for the whole project. The fires of inspiration were lit, and people ran with it.  We wanted to have our first showing of The Quilt at the CHAIN Link-Up (a chainmaille gathering in Tennessee in March of 2019) because that would give people a year to make and send something in.  We estimated getting about 40 patches when that first soft deadline hit. As of today, Feb 1st, 2019, I have over 80. And they’re still coming. Even if they won’t all be added in time for the Linkup, we will keep adding patches to this “living project” until it finds a permanent home. Right now we are in talks with a few places around Orlando (since it’s a heavy tourist hotspot) to try and get it on display.  But we have to finish the seams first!  If anyone still wants to sign up, you can go to the Facebook page and add your info to the pinned thread.

OK, Onto the quick questions that I ask all participating artists:

Do you listen to music/podcasts/tv/etc while mailling? If so, what are your favorites?

I like books on tape.  My favorite narrators are Luke Daniels (Off to Be the Wizard and the Iron Druid Chronicles), Ray Porter (The Ex-Heroes Series and The Bobiverse), and Wil Wheaton (Ready Player One, and most of John Scalzi’s books like Fuzzy Nation) are my current favorites. Plus basically anything by Orson Scott Card.

What are your favorite artists (chainmaille or otherwise)?

Good gravy.  I’m a bit of a “collector” of handmade art that I love.  Ummm.. I love the art of Joe Havasy (all over my house), R.S. Connett (I actually have TWO originals of his), Dogzilla Lives (she needs more christmas ornaments!), Spiderbite Boutique (everyone should have a Nightmare Snatcher), Damsel in This Dress (my wedding dress), Samiah (best coats EVER), Kirk Nelson is a design GENIUS for chainmaille pendants, Casey Harroun is completely gifted at chainmaille animals, meeting Heinrich’s Sauron is a life goal, and can I just give a quick shoutout to Jason Ronquillo?  That dude is seriously underrated.  He makes some really fascinating and spatially challenging chainmaille patterns.  Have you even HEARD of Triffids?  The weave is sic.

What do you do when you’re not making chainmaille?

Grocery shop.  Shower.  Sleep.  Play with the kids.  Everything else is related or done at the same time as something maille-related.

What’s the best piece of advice you’ve ever been given?

“Why would you spend so much time and energy hating someone you don’t even like?”  – The Dad.

What would your superpower be and why?

I’m vain. Can I be wolverine so I can stay young and full of energy without having to diet or exercise? That would be great. Also: not having to sleep ever again would be great superpower. Is winning the Powerball a superpower?

What’s one thing Blue Buddha readers might be surprised to know about you?

I’m pretty conservative. Don’t drink, don’t smoke, never even tried any drugs.  NONE. The tattoo on my face makes me seem like a party animal, but I’m all work and no play. I do have a weakness for milkshakes though. Oh, and the Damascus scales TRL carries were my design. They bought it off me after I placed a custom order.  So that’s sort of a cool feather in my cap.  😊

Anything else you want to add?

I have a partner, Janelle, who is pretty awesome. She’s more of a “back of the house” partner since she can’t come work at the booth, but she definitely pulls her weight in keeping the display stocked. I’m also an official Nailmaille distributor. I love to mix the Nailmaille Unbreakable Hearts with chainmaille and steampunk elements. I feel like it goes perfectly with my heavy-duty “hardware” aesthetic.

Before we let you go, please tell us where we can find your work!
Facebook: Steampunkgarage (this is where my show schedule lives and what I update the most)
Instagram – @steampunkgarage
Etsy: www.steampunkgarage.etsy.com and www.spgsupplies.etsy.com

Thanks so much for taking the time to chat with us, Jenifer! After so many years of “seeing” you online, it’s truly been a pleasure.